↓
Latest
New Music: Anberlin release CURRENCY, first album with a new frontman, to mixed critical reception Tours: Circa Survive announce 2027 US tour starting at Welcome to Rockville New Music: dexter in the newsagent releases "Edge Of The World", inspired by B.o.B and Hayley Williams Tours: The Adicts headline Garden Grove Amphitheater with Love Canal, Gvllow and Los Creepers Tours: Saves The Day to play Stay What You Are in full at Liverpool's Loud & Clear Festival Tours: Aftershock sets 2027 dates in Sacramento with tickets on sale November 16 Tours: Coachella 2027 lineup features Pinegrove, American Football, Basement and Weezer Videos: Deftones play "Melanie" live for the first time since 2008 Videos: Hayley Williams drops "Dream Girl in Shibuya" video, shot and edited by Zachary Gray Videos: Donkey Jaw release "No Vacancy" video after signing to Hey!Fever Records Interviews: Brian Fallon tells Rock Sound how meeting Travis Barker changed how he writes songs Videos: Sad Boy Union release "State Of The Union / White Man's Tongue" double video

New Music

Gossip Collar release second album Eaten Of Worms through Bat-Cave Productions

The Boston dark punk quartet's follow-up to 2024's Spinning Silk For Parasites arrived on the band's Bandcamp on September 4th.

Published on · Reported from Dying Scene

Gossip Collar, the Boston band featuring members of The Showcase Showdown and Secret Hearts, have released their second full-length album, Eaten Of Worms. The record came out on September 4th via the group's Bandcamp and is distributed by Poland-based label Bat-Cave Productions.

The band traces back to 2020, when singer-songwriter Victoria and drummer Megan started stockpiling atmospheric post-punk material during the pandemic, long before the project was public. Guitarist Tom and bassist Mark rounded out the lineup later, and the band played its first show in 2023. A self-titled EP followed, along with debut album Spinning Silk For Parasites in 2024.

Eaten Of Worms continues the group's dark wave and death rock direction, with nods to the 1980s London Batcave scene and acts like The March Violets and Skeletal Family. Opener "Disguise My Heart" begins in feedback and jagged guitars, while closer "Merchants of the Wave" leans on layers of reverb and phasing.

Synths and keys color the record throughout: "Haerisis" uses eerie toy piano tones, and "Dead Thing" pushes further into death rock with chugging guitars and synth beds. "Why Me?" opens with a cinematic soundscape before settling into a stomping groove driven by staccato strings. Victoria's vocals are largely whispered and doubled, buried in reverb, carrying much of the album's sense of dread.

Newsroom copy, published with prior review. Editor in charge: Remy Zdrojeski. Spotted an error? Write to sociais@remyzdrojeski.com.br and we will fix it.

Read next